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Zhongting Sun

Zhongting Sun

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Sun Zhongting (b. 2001) is a Chinese artist and photographer based between London and Dalian. He serves as Director and Vice Chairman of the Young Photographers Division at the Dalian Photographers Association. He graduated from BA Photography, London College of Communication, University of the Arts London.

Sun’s artistic practice centers around Eastern philosophy, religious culture, and global social issues, often drawing upon personal narratives. Working primarily with contemporary art photography, he addresses themes such as cultural loss, cultural diversity, and the philosophical reflections found in everyday life. His multidisciplinary approach—spanning photography, experimental video, artist books, and installation—allows him to explore and express complex ideas with depth and subtlety.

Sun Zhongting (b. 2001) is a Chinese artist and photographer based between London and Dalia...

As a socialist country that promotes atheism, the influence of religious beliefs in China is declining with the rapid development of its modernization and economy. As for Buddhism, the most influential religion in China, in addition to its own attributes of religious belief, its production process necessarily carries with it the commodity attributes of consumerism; in fact, its sacredness has always been inextricably linked to its commercialized and secularized attributes. 

In this project, I explored some of the factories that make Buddha statues. In my exploration of the Buddha statues' traceability, I found that many of them were abandoned in the open space outside the factories, and the ones that were being produced were casually placed on the ground or in the corners. Here, the Buddha seems to have lost its divinity and become a pure assembly line product. And those Buddhas that have been discarded and shelved for various commercial reasons have gradually faded in oblivion of a long time.

Final work

This photo shows a large unfinished wooden Buddha in a factory, symbolizing the tension between commodification and the loss of sacredness.
A covered Buddha statue with a praying hand visible, symbolizing Buddhism's marginalization in a commercialized context.
A cluttered storage room filled with Buddha heads and statues, highlighting the commodification and neglect of religious artifacts.
A workshop filled with unfinished Buddha statues, revealing the industrialized process behind sacred imagery.

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Zhongting Sun

As a socialist country that promotes atheism, the influence of religious beliefs in China is declining with the rapid development of its modernization and economy. As for Buddhism, the most influential religion in China, in addition to its own attributes of religious belief, i...

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