
- CollegeChelsea College of Arts
- CourseMA Fine Art
- Graduation year2023
In the MA Show, my work is divided into three parts: painting, sculpture, and installation.
The theme of my creation is my self-chosen English name, "JOYJOE," which, when translated into Chinese, happens to be a homonym of my Chinese name, therefore it becomes a symbol word that represents me, and I hope it can invite everyone into my world. Following this theme, my creations are precisely based on self-perception in daily life. It not only includes self-reflection, but also alludes to the forces exerted on individuals by the outside world.
My paintings focus on the individual identity of queer individuals, and the presence of gender perception in social groups and everyday life. My inspiration comes from my personal experiences as a member of the queer community, navigating within the context of traditional Chinese families and societal environments, which significantly influence self-perception.
The sculptures are arranged in the space, creating a distant echo of the paintings. The baby mask sculptures, shaped after myself, are continuously replicated into 24 replicas, and arranged in a row on the ground. They stem from my retrospective exploration of the past self and the ever-shifting nature of self-awareness. Simultaneously, the concept of "repetition" is also connected to the installation works.
Unlike the more explicit personal emotions conveyed in painting and sculpture, my installation works draw inspiration from fictionalising everyday events and fabricating authentic performances. They revolve around constructing fictional narratives, exploring the viewers' experiences of the events and their impact. The index finger becomes the externalisation of my subjective consciousness, as I materialise this identical conscious object as the template for continuous replication. Meanwhile, reality is worn away in the temporal act, leaving behind a "trace" as a "document." This is based on the fictionalisation of reality, pointing to people's experiential understanding, and the resulting misinterpretations of events.
Final work
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