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Between 'I' and 'me'

Tzu-Huan Fu

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Tzu-Huan Fu is a London-based textile artist whose practice investigates the visual and structural potential of fibre in relation to human cognition. Through material exploration and process-led creation, she examines how the act of making can reflect, disrupt, or extend the boundaries of perception. Her work engages with the cognitive field not as a fixed concept, but as a space of unfolding—where structure, sensation, and thought merge through the language of textiles.

Tzu-Huan Fu is a London-based textile artist whose practice investigates the visual and str...

Between 'I' and 'me' is an exploration of the shifting boundaries between self and substance. Using fibre to develop a material language that moves between two and three dimensions—not to represent the self, but to reveal the tension within it, how ‘I’ observes and how ‘me’ is observed. 

The structure of the textile emerges from a process of visual cognitive field development—mapping not just form, but perception. This approach allowed the fabric to hold both movement and stillness, making visible the blurred edges of thought, sensation, and memory.

The work holds no fixed centre. Its position is relational— defined only by where one stands and in which direction one looks. Like a puddle, it reflects differently with each shift in light or gaze. Between ‘I’ and ‘me’ is not a location, but a condition, always reframing, always becoming. 

Final work

The image shows one piece of collection in blue and yellow, with the pattern that show how the position becomes direction and its relativity.
The image shows one piece of collection in blue, beige, and brown, withe the pattern of nervous system while human communicating.

Research and process

The photo shows the puddle in land, and the ocean.
The photo shows the tree and the sky in our physical world reflect in the puddle.

Puddle or sky, which what ever it is, it's all about motion.

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Between 'I' and 'me'

Between 'I' and 'me' is an exploration of the shifting boundaries between self and substance. Using fibre to develop a material language that moves between two and three dimensions—not to represent the self, but to reveal the tension within it, how ‘I’ observes and how ‘me’ is...

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