
- CollegeCentral Saint Martins
- CourseBA (Hons) Fine Art
- Graduation year2025
My work centres around the interrogation of plywood. Recognising it as a manufactured material made for purpose. I carve into the found ply blocks, mimicking bark-like texture, creating a sculptural surface. I then print them, documenting the craved surfaces. I often ask if the block is made specifically to get the print or if the block can exist as a sculptural object on its own. My work is process based and comes from a thinking about transformation of. materials and a possible destruction of structural integrity. This work is also a reflection of the biography of plywood as an object, its edges become more prevalent the more I carve and the more I interact.
Final work

Net of Carved Plywood Block, 2025
Relief print on cartridge paper, 70cm x 50cm
This print comes from a place of thinking about documenting the entire carved block as an object, investigating plywood as a 'naturally artificial' material.

Block, 2025
Carved 17mm marine plywood with ink and print on cartridge paper, 12cm x 30.4cm
Mimicking the history of plywood as a heavily manufactured and recognisable material, as I carve, a bark-like texture reveals the layers of plywood that have been laminated together.

Big Block, 2025
16mm marine plywood, ink, 17.4cm x 47.6cm

Big Block (Print), 2025
Relief print on cartridge paper, 46cm x 59.5cm
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