- CollegeLondon College of Fashion
- CourseMA Fashion Design Technology (Womenswear)
- Graduation year2025
This project uses workwear as a vessel of memory.
Garments function not only as tools of protection, but as mediums that accumulate the wearer’s time and actions.
Hand-stitched copper wires and copper scraps, along with their oxidation, operate not as decoration but as traces of memory, forming surfaces that transform through friction, pressure, and exposure.
This proposes a new form of sustainable ornamentation and a time-based washing process, replacing controlled, industrial surface treatments.
Through the functionality of workwear and the transformation of materials,
the garment is redefined not as a finished object, but as a continuously recording state.
Final work
Workwear as a Vessel of Memory (Look1-2)
These looks explore workwear as a vessel of memory, where garments function as both protective tools and surfaces that record time and use.
Hand-stitched copper wires and copper scraps are integrated into the boiler suit, allowing oxidation to occur through friction, pressure, and exposure.
Rather than serving as decoration, these material changes act as traces of wear and lived experience.
The piece proposes a time-based approach to surface transformation, emphasising process and accumulation over fixed, finished form.
Workwear as a Vessel of Memory (Look3-4)
These looks explore workwear as a vessel of memory, where garments function as both protective tools and surfaces that record time and use.
Hand-stitched copper wires and copper scraps are integrated into the boiler suit, allowing oxidation to occur through friction, pressure, and exposure.
Rather than serving as decoration, these material changes act as traces of wear and lived experience.
The piece proposes a time-based approach to surface transformation, emphasising process and accumulation over fixed, finished form.
Workwear as a Vessel of Memory (Whole Line-up)
These looks explore workwear as a vessel of memory, where garments function as both protective tools and surfaces that record time and use.
Hand-stitched copper wires and copper scraps are integrated into the boiler suit, allowing oxidation to occur through friction, pressure, and exposure.
Rather than serving as decoration, these material changes act as traces of wear and lived experience.
The piece proposes a time-based approach to surface transformation, emphasising process and accumulation over fixed, finished form.
Research and process
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