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Corvidae Vinita

Ryan Bharathan

Profile picture of Ryan Bharathan

I’m a Singaporean designer who aims to represent the beauty, darkness and complexity of navigating the world with trauma, focusing on how race, gender and our environment affects our lived experience. I'm looking forward to progressing on to BA Fashion Design: Menswear at CSM next year, my hope is that my designs shine a light on the grittier parts of life and inspire others like me to keep pushing forward.

I’m a Singaporean designer who aims to represent the beauty, darkness and complexity of navigatin...

This project emerged from my experience in recent years dealing with trauma. Corvidae Vinita is an illustration of the mind palace, a psychological state of being manifested by one’s trauma, a place where one retreats to when hurt severely, emotionally or physically. Inside my own palace, I find myself laying by the ocean, flocked by a murder of crows. I speak to a version of myself much older and wiser, a fully evolved crow. She tells me that even without wings, she will soar. 

I delved into the representation of crows in gothic folklore and why they were a symbol of safety, wisdom and comfort to me. I referenced crow anatomy, experimenting with winged silhouettes that protectively enclose the body, as well as developed a new textile that emulates the look and effect of feathers, soft and comforting to the touch. Inspired by the works of Tim Burton and Dilara Findikoglu and their world-building prowess, I also created a short film to narrate a prominent exchange I had in the mind palace. My outcome includes two conceptions - the crow lady, a reflection of my future, and the young bird that I am now, still growing and evolving.

Final work

the crow lady, a reflection of my future
the young bird that I am now, still growing and evolving
  • the young bird
  • the crow lady
  • corvidae vinita, the two looks together

Corvidae Vinita - a short film

Research and process

  • paper draping and textile development with the intention of formulating an alternative textile to capturing the same look and effect of crow feathers
  • silhouette development for the crow lady, shapes extracted from initial paper drapings and textile sampling
  • translating extracted shapes from silhouette development into possible headdress, moving structured elements upwards on the body
  • initial storyboarding and textile sampling for look 2, the young injured bird. using a white button down shirt as starting point
  • silhouette development for the young bird, referencing white button down and straitjacket as forms of restriction, combining with anatomy of crow wing
  • design development of look 2 continued, with initial toile and textile sampling. final design sketch for look 2 included

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Corvidae Vinita

This project emerged from my experience in recent years dealing with trauma. Corvidae Vinita is an illustration of the mind palace, a psychological state of being manifested by one’s trauma, a place where one retreats to when hurt severely, emotionally or physically. ...

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