This collection started with the idea of the objet — not just as a functional item, but as something that holds traces of time. Objets that have been touched, worn down, or left behind, yet still remain in memory. Each garment holds a story borrowed from an objet, felt simply through its presence.

A two-page layout featuring a vintage leather chair with text describing its emotional presence on the left, and a model wearing a layered outfit in f

A two-page spread featuring a story about an old film camera and its emotional weight. On the left, images of vintage film rolls, a map, a leather cam

A two-page spread combining fashion and narrative. On the left, a smiling model stands in front of rope-textured text reading “Tuck Wrap Go,” wearing 

A two-part image. On the left, a model in oversized layered clothing and a sculptural headpiece is making tea in a small, worn kitchen. On the right, 

objets

A series of design development photos and annotated sketches showing the creation of a sculptural jacket with crumpled paper textures and exaggerated 

A progression of jacket prototypes with handwritten notes, ending in two models wearing finished garments that combine cream and navy panels with wrap

This collection started with the idea of the objet — not just as a functional item, but as something that holds traces of time. Objets that have been touched, worn down, or left behind, yet still remain in memory. Each garment holds a story borrowed from...

Nahyun Mim

Final work

Research and process

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