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Shapes of Spontaneity

Mia Bejarin

Profile picture of Mia Bejarin
Hi, I'm Mia! I consider myself a creative visual communicator, with a strong passion for editorial design and experimental typography. My practice lies in graphic design - predominantly digital over print, but with respect for both. I intend to pursue conceptual and eccentric making in my current and future projects.
Hi, I'm Mia! I consider myself a creative visual communicator, with a strong passion for editorial d...

Through the fusion of experimental graphic design and lyrical abstraction, Shapes of Sponteneity roots itself in instinctual making in hopes of freeing my own self from the constant hold of perfectionism. It intends to visually convey the emotional, non-linear journey I go on as an artist, using evocative colours and expressive screen-printing to reveal what it can mean to be a creative person today.

Final work

Two pieces of translucent paper imperfectly stitched together in blue thread. Paper has been screen-printed on in blue ink.

Stream

'Stream' refers to the Association phase of the creative process. I envisioned this initial stage of subconscious brainstorming as vast and tranquil, which I felt was embodied by the blue hues and oceanic brushwork. I wanted to continue the abstract, conceptual nature of the project by incorporating stitching reminiscent of book binding - a subtle, deconstructed representation of publications and editorial design.

Folded translucent paper with thread stitching visible. Paper has been screen-printed on in green and red ink, visible through the layers.

Itch

'Itch' is a phase where I feel the urge to create, but am unsure where, when, and how to start. This intends to reflect the common experience of creatives during their struggle with starting projects, or during states of limbo. Green attempts to convey how natural and instinctive the need to create is, while the red communicates pain. Scratches in the mark-making try to emphasise this further.

Unfolded concertina of translucent paper that has been screen-printed on in yellow and orange ink.

Eureka

'Eureka' is the point of illumination, or when I finally find a solid idea I can build on. For me, this usually comes during quiet, unexpected moments. This intends to be communicated through the sparseness of the composition, juxtaposed against the bold vibrancy of the sunshine hues.

Translucent paper with grey and red screen-printing. Paper has been folded into a triangular accordion.

Stuck

'Stuck' represents the limbo phases where you feel like your going round in endless circles, in void echo-chambers of your own mind. The dark greys highlight this starkness, while the red once again conveys this sense of pain.

Research and process

  • Expressive, swirly blue painting on A4 sketchbook page.
  • Two screen-printing ink pots, one blue and another orange, next to a silk-screen.
Screenshot of Adobe Illustrator window containing an image traced painting. In white, the eraser tool marks out where shape will be divided.

Illegible Type Digital Process

The project is meant to reflect, in its entirety, my personal creative process - meaning the large inclusion of digital design. While this was a more tempting tool for refining and re-doing, I ensured this process of creating illegible letterforms from painting forms was still very spontaneous.

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Shapes of Spontaneity

Through the fusion of experimental graphic design and lyrical abstraction, Shapes of Sponteneity roots itself in instinctual making in hopes of freeing my own self from the constant hold of perfectionism. It intends to visually convey the emotional, non-linear journey I go on ...

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