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The Wall

Lily Hou

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Lily Hou 一言, Chinese base in London. A curator and illustrator challenging existing narratives.

Lily Hou 一言, Chinese base in London. A curator and illustrator challenging existing narratives.

Hire me via Arts Temps

Series Illustration Inspired by Marlen Haushofer’s book ‘The Wall’(1963).

Etching, 30*20cm

‘The Wall’ (1963) exposes the fragility of our civilisation and its structures through an isolated scenario. With the background of post-WW2 effects and female substantive inequality, it sees nature as a brutal, but realistic space for rebuilding. 'The whole meaning of an event lies in the event itself' (Haushofer, 1963), indicating an existential and instinctive way of living.

My illustration series responded to a moment in the text. The printings intend to grasp the vulnerable emotional flow in the text, remember it, and build a wider sense of feeling.

Final work

The woman and in the middle with her body stretching long in a U-shape. Showing tension, because she's trapped by a supernatural wall. Her body looks
The woman and her dog face each other barking, their shadow projected on the wall. A hand took the woman’s shadow out of the room. The door is half op
  • The woman and in the middle with her body stretching long in a U-shape. Showing tension, because she's trapped by a supernatural wall. Her body looks
  • It is a bird view showing the character’s hunter houses in the middle of the forest mountain
  • The woman and in the middle with her body stretching long in a U-shape. Showing tension, because she's trapped by a supernatural wall. Her body looks
The woman and in the middle with her body stretching long in a U-shape. Showing tension, because she's trapped by a supernatural wall. Her body looks

Research and process

etching
  • etching

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The Wall

Series Illustration Inspired by Marlen Haushofer’s book ‘The Wall’(1963).Etching, 30*20cm‘The Wall’ (1963) exposes the fragility of our civilisation and its structures through an isolated scenario. With the background of ...

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