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Mottled Silence

jingjing mao

Recent graduate in MA Fine Art: Computational Arts at Camberwell College of Arts.
Recent graduate in MA Fine Art: Computational Arts at Camberwell College of Arts.

My work explores the connection between familial emotional memories and the natural environment in a contemporary context and creates a fusion collision with the current environment. Rethinking art itself by combining different media expressions allows memories to talk to the present environment, generating new conversations and giving them more space to breathe. The work usually combines three generations of women, my grandmother, my mother and myself. It is hoped that the poetic expression of the work can remind people of their own identity and human roots, as well as evoke some emotional memories in their minds, and thus trigger people's thinking and resonance.

Final work

  • The works are arranged in two circles, one is the mix of soil from home and London soil, and the other is old furniture surrounded by soil from home.
  • The works are arranged in two circles, one is the mix of soil from home and London soil, and the other is old furniture surrounded by soil from home.
  • The work is a combination of eight wood prints on the wall and a small ceramic on the stand. The prints depict scenes from memory, and the ceramics co
  • The works are arranged in two circles, one is the mix of soil from home and London soil, and the other is old furniture surrounded by soil from home.

Mottled Silence

Research and process

  • The printmaking and the cyanotype process
  • The printmaking and the cyanotype process
  • The printmaking and the cyanotype process
  • Pictures of digging in the woods
  • Pictures of digging in the woods

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Mottled Silence

My work explores the connection between familial emotional memories and the natural environment in a contemporary context and creates a fusion collision with the current environment. Rethinking art itself by combining different media expressions allows memories to talk to the ...

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