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What You Left Over

Jieun Kong

Profile picture of Jieun Kong

Jieun Kong (b. 2000, South Korea) is artist exploring the emotional architecture of identity through participatory structures. Rooted in audience interaction, her work reflects how perception is shaped by memory, culture, and emotion, creating spaces for collective reflection and self-awareness.

Jieun Kong (b. 2000, South Korea) is artist exploring the emotional architecture of identity thro...

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What You Left Over explores the ways in which the self is shaped and reshaped through relationships and the surrounding environment. At the same time, it reflects on how identity might be sustained amidst continual change.

This installation is completed through audience participation. Visitors are invited to walk among six structures symbolising both ‘home’ and ‘person’, placing transparent stickers onto clear acrylic panels. These small gestures become visual traces of emotion and influence, which gradually accumulate to form a collective composition over time.

The concept of ‘home’ draws from the artist’s earlier research. A person’s living space often reflects their inner life—it holds memories, emotions, and identity, functioning as both private territory and a mirror of the self. In this work, ‘home’ becomes a visual framework that extends beyond the physical, capturing marks of personal presence and change.

As natural light passes through the panels, the shifting colours and shadows gently reveal that identity is never fixed, but constantly reconstructed through relational and contextual influence. In quiet ways, the work reminds us that we leave traces on others—often without even realising it.

The installation encourages not only close interaction but also distant observation. Viewed from above, the arrangement of the structures resembles a mandala and draws inspiration from dancheong, the traditional painted patterns found in Korean architecture. Dancheong goes beyond decoration; it has long served both as a protective layer for wooden structures and as a visual expression of cosmology and spirituality, often using the five directional colours (obangsaek) and Buddhist symbolism to signify balance and sacredness within a space.

In this work, dancheong becomes a system of reflection—a structured, layered surface through which to contemplate the self within complexity. As individual marks accumulate and come together into a whole, the installation opens a quiet space to consider connection, transformation, and self-awareness.

Final work

Completed Frame
  • Yellow Lawn
  • Lawn Care
  • Green Lawn
  • Laser cutting
  • Spray test
  • Completed Frames
  • Sticker design
  • Exploring the structure and transformation of repeated patterns
  • Sticker colors

Research and process

  • A set of four pencil sketches showing variations of circular pattern arrangements.
  • A sketch exploring the relationship between geometric repetition and organic variation within a grid system
  • A collection of geometric pencil and coloured pencil sketches exploring the structure and transformation of repeated patterns.
  • Planning stage01
  • Planning stage02
  • Planning stage03

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What You Left Over

What You Left Over explores the ways in which the self is shaped and reshaped through relationships and the surrounding environment. At the same time, it reflects on how identity might be sustained amidst continual change.This installation is completed through audi...

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