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Paradise

Jasmine Osegbu

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Jasmine Osegbu (b.1998) is a British-Nigerian artist based in London.

Her practice utilises painting and digital media to explore worldbuilding, Blackness and the Feminine. She uses painting and digital media to create immersive, colourful, energising paintings and installations.

The content of her work confronts and examines representations of Blackness and the Feminine and reimagines reality through constructing speculative narratives. Her work is Afrofemcentric, which is informed by her context as a British-Nigerian woman.

The form of her work spans traditional forms and newer technologies, often creating a dialogue between the two. She places importance on viewer experience, channelling states such as joy, empowerment and escapism to her audience. Fluorescent colours heighten the visceral excitation of the experience and her thermal colour palette represents the transmutation of energy from her artwork to the viewer.

Jasmine Osegbu (b.1998) is a British-Nigerian artist based in London.

Her practice utilises...

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Paradise is an immersive installation incorporating painting, animation and print. The multi-elemental piece reflects the journey of the fictional Black female protagonist, Esidara, through five forms of ‘paradise’. An empty white void of clarity, an escapist island, an infinite hedonistic festival, a village of ancestral connection and finally; a reflection of Heaven. It is the culmination of my research thesis, Reimagining Reality: Black Experiences through Worldbuilding and Fictioning. Throughout my research, I found a recurrent motif of longing for a utopia or paradise throughout Black speculative worlds across literature, film, music and visual art. I aimed to contemplate this, influenced by an Afrofemcentric, British-Nigerian lens. Rather than strive for a definitive conclusion, the piece invites speculation on what paradise might be.

My research delves into how Worldbuilding and Fictioning serve as mediums for exploring Black experiences. Examining the works of creators including Octavia Butler and Sun Ra, I focused particularly on lived experiences of Black individuals which have been reimagined through new worlds and fictions. The writings of Jayna Brown and Édouard Glissant informed my approach in studying the methodology and implications of reimagining Black experiences through Worldbuilding and Fictioning.

Final work

A fluorescent, colourful acrylic painting of a woman standing firmly above the clouds, looking out into the distance.

Paradise, the Promised Land

Acrylic on canvas

300 x 300cm

  • A still image from a 3D animated video. The image is of a woman wearing a dress, floating in a pool.
  • A still image from a 3D animated video. The image is of a woman with her hand on her chest, in a village environment facing a floating mirror.
  • A still image from a 3D animated video. The image is of a woman in an idyllic island retreat setting.

Research and process

A fluorescent, colourful acrylic painting of a woman sitting on a rock and looking out into a fictional, dreamlike setting.

Reverie (2024)

Acrylic on canvas

150 x 200cm

Reverie utilises worldbuilding to illustrate the experience of finding joy within being lost; remnant of Glissant’s notion of errantry as a form of freedom and resistance. It is figurative, Afrofemcentric and speculative, reflecting my research on Black Experiences through Worldbuilding and Fictioning.

A fluorescent, colourful acrylic painting of three women in an idyllic setting with the sun behind them.

Ease (2024)

Acrylic on canvas

150 x 200cm

Ease presents a yearning for peace, as well as community and collectiveness – ideals which were present in my research into Black speculative worlding such as that of the African American Shaker movement.

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Paradise

Paradise is an immersive installation incorporating painting, animation and print. The multi-elemental piece reflects the journey of the fictional Black female protagonist, Esidara, through five forms of ‘paradise’. An empty white void of clarity, an escapist island, ...

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