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# Project Description Typography Without Boundaries Eve Williams Summary Final work I’m a graphic design student from London with a focus on playful, engaging communication. I enjoy working across a range of design disciplines, combining digital and analog techniques to bring ideas to life. I hope to continue exploring creative ways to connect with people through design. I’m a graphic design student from London with a focus on playful, engaging communication. I... College School of Pre-Degree Studies Course UAL Foundation Diploma in Art and Design Graduation year 2025 Can design be accessible and enjoyed by anyone? I’ve noticed how there is a lack of accessibility and inclusivity within design, preventing visually and auditory individuals from enjoying a creative experience. What if typography could be used in a way to make design inclusive for these individuals? My project aims to use type as a multi-sensory language, combining Braille and subtitles to promote accessibility within design. I express this through tactile and digital formats, using typography as a way to express sound, touch and sight. This way different forms of design can be enjoyed by anyone, closing the gap between design and disability. Final work The Crocodile Discover the world of ‘The Crocodile’ by Lewis Carroll in a whole new way with this tactile, sensory book. Designed with visually impaired children in mind, each page combines textures, braille, and text to bring the poem to life through touch. Every other page features a unique sensory texture, enhancing the experience for those with visual impairments. High-contrast colours and the Atkinson Hyperlegible typeface are thoughtfully used to improve readability for low vision readers. Turn each page, indicated by Lego braille page numbers, to immerse yourself in the poem, through touch and not just sight… View Gallery View Gallery View Gallery Louder Than Words These expressive subtitles have been designed with auditory impaired and deaf people in mind. The subtitles aim to convey the emotion and feeling of different sounds which can’t be shown through sterile, unemotive subtitle typography. The subtitles are shown over the 1985 British Telecom Advert, it contains a variety of expressive sounds which now can be experienced by everyone. Research and process Sound Without Sound This is a short mute film, only depicting sounds through a series of signs. Each sign aims to display the feeling and experience of each sound through typography and imagery. I made the film mute to allow the only experience of sound to be felt through each sign. Share this project Can design be accessible and enjoyed by anyone? I’ve noticed how there is a lack of accessibility and inclusivity within design, preventing visually and auditory individuals from enjoying a creative experience. What if typography could be used in a way to make design inclusive... A link to this page has been added to your clipboard Browse related work Access, Ability & Inclusivity
# Links ## Official page - https://ualshowcase.arts.ac.uk/project/617554/cover ## External - https://www.instagram.com/ewilliams.designs - mailto:eve.isabella.williams@gmail.com - https://twitter.com/intent/tweet?url=https%3A%2F%2Fualshowcase.arts.ac.uk%2Fproject%2F617554%2Fcover&text=Typography+Without+Boundaries - https://pinterest.com/pin/create/button/?url=https%3A%2F%2Fualshowcase.arts.ac.uk%2Fproject%2F617554%2Fcover&media=https%3A%2F%2Fportfolio-tools.s3.eu-west-2.amazonaws.com%2Fwp-content%2Fuploads%2F2025%2F05%2F11195733%2FScreenshot-2025-05-11-20.57.20.png&description=Typography+Without+Boundaries