
- CollegeLondon College of Fashion
- CourseBA (Hons) Fashion Imaging and Illustration
- Graduation year2025
In this project, I delved into the complex allure of the dark feminine, that beautifully inconvenient archetype society simultaneously fears, desires, and misunderstands. Through the lens of hybristophilia, serial killer romanticization, and sociopathic personas (both real and fictional), I explored how women often identify with or are drawn to figures of power, danger, and psychological chaos. Not out of some superficial fascination with “bad boys,” but because these narratives mirror deeper emotional and societal tensions: control, repression, resistance, and the craving to be both seen and feared.
To translate these themes visually, I used 3D design techniques to build fashion imagery that doesn’t just “look good” it says something. Using symbolic elements like metallic feathers, blade fans, scissors, and chains, I built characters that express femininity not as soft or submissive, but as sharp, strategic, and emotionally charged. The silhouettes are exaggerated, the materials deliberately confrontational, think wearable mythology, if the gods were emotionally complicated and slightly unhinged.
Each final image functions as a stylised character study, part fashion, part psychological theatre, created to reflect the dualities I was researching: beauty and brutality, control and chaos, seduction and silence. It’s less about glorifying violence and more about dissecting the aesthetic language of power. In short, the project became a slightly obsessive love letter to the dangerously complex dressed, of course, in painfully crafted 3D couture.
Final work
Research and process
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