
- CollegeCentral Saint Martins
- CourseMA Material Futures
- Graduation year2025
The Lost Stars is an interdisciplinary exploration of memory, absence, and the materiality of emotion. Through the synthesis of artificial intelligence, olfactory science, and narrative ethnography, this project interrogates how technology and crafts can translate ephemeral human experiences—love, grief, connection—into enduring sensory artifacts.
My work is rooted in the belief that remembrance is not passive but an act of creation: a collaboration between the quantifiable and the poetic, data and intuition. Crafted from biodegradable clay infused with Chinese Traditional Medicine, herbs, and natural ingredients, this project reinterprets the ancient art of incense making through tactile and olfactory rituals. Traditionally, incense dough is ground, kneaded, and air-dried into fragrant beads, with scent released through warmth and touch. Embedded within each star-shaped memorial, the fragrance is activated by the natural oils and heat of human skin, transforming a simple gesture—holding and rubbing it between the palms—into an intimate act of remembrance. This interaction bridges the living and the lost, as touch reanimates memory through scent. In collaboration with OSMO and Narratus Olfactory Lab, AI-driven molecular synthesis extends this dialogue beyond tradition, weaving historical incense recipes with speculative compounds—mineral traces of asteroids, the ephemeral scent of cosmic dust—to create fragrances that transcend time and space. As the star naturally biodegrades, its herbal remnants return to the earth, embodying the cyclical philosophy of incense making: decay as renewal, and remembrance as an evolving exchange between presence, absence, and the alchemy of human connection.
Final work


The Lost Star
We are made of memory.
We are made of scent.
We are made of stars.
“The Living Aroma” is a way of remembering who we are—and who we were—through sensory design. It fuses AI with incense, death with data, grief with growth. It proposes a future in which objects are not only biodegradable, but biographical. Not only sustainable, but soulful.
Through scent, we preserve not just the memory of loved ones, but our connection to the Earth and the cosmos. Through biodegradable forms, we acknowledge that memory—like matter—returns to soil and sky.
We are only passing through.
But we can leave a trace. A smell. A story.
An aroma, still living.

At the emotional and methodological center of “The Living Aroma” is an object both ordinary and sacred: a pillow. Specifically, a memory object modeled on the impression left by my late grandmother’s head, infused with her scent—a multi-sensory archive of presence.
Research and process
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