
- CollegeLondon College of Communication
- CourseMA Photojournalism and Documentary Photography
- Graduation year2025
This series of self-portraits was created using slit scan technology, mostly known for its use for photo-finish in racing sports, thus reclaiming a patriarchal automation which judges, measures and commodifies linear speed and ‘progress'.
Subverting our expectations of how time and space occupy the photographic image, the work highlights how the supposedly linear progression of human rights, especially for cis and trans women, is being eroded to the extent that it is actually moving backwards.
A fragmented portrait of one of the two female photo-finish operators in the UK, this work invites a different kind of embodied photographic seeing.
Final work

Self-Portrait 1
All of these images are the product of the slit scan technology, instead of a standard camera, it makes thousands of scans per second in the same spot, and it depicts only what is moving, so in all of them, all of the surfaces of the pictures are drawn with the traces of the scans.

Self-Portrait 2
A slit-scan image of a hand.

Self-Portrait 3

Self-Portrait 4
A slit-scan image of the leg.
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